'Visibility is very important, but visibility is also very expensive.' Swapnil Joglekar explores the Parasite phenomenon.
'Kriti tells me to be candid and real, just the way I am at home. I've applied that in my first film just to take that nervousness out of me.'
There have been several films in which we have seen the victim/s resorting to unlawful means to seek justice. What sets Saani Kaayidham apart is the way it feeds your imagination with disgust, followed by anger and revenge, observes Divya Nair.
I am yet to encounter an anthology of films (made in this country or elsewhere) in which every feature has adhered to a minimum level of quality, asserts Sreehari Nair.
In spite of its flaws, I enjoyed reading the book, says Vanita Kohli-Khandekar. Simply for the joy of digging into the life, in pictures and words, of one of the most enduring stars of Indian cinema.
Are we living in those primitive times when same-sex relationships qualified as stone-pelting offences, asks Subhash K Jha?
'With the media and social media pulling them down every second day, there are no heroes left.' 'What we have are actors and we want to see them play characters which are real, human and identifiable.'
'I'm angry. Angry at Will Smith. Angry at Chris Rock.'
Shatrughan Sinha, Shabana Azmi laud the move.
The success of south films like KGF: Chapter 2, RRR and Pushpa: The Rise has resulted in audiences getting more and more receptive towards watching stars from this industry in Hindi films.
'Somewhere, I have to be true to myself. At this point in life, I am more interested in human drama.'
